MY TOP 5 “THE SOPRANOS” EPISODES

5. IRREGULAR AROUND THE MARGINS

A car crash puts Tony and Adriana in a compromising position, and Cousin Tony must try to keep Chris from getting bent out of shape.



4. THE BLUE COMET

The Beginning of the End. Phil finally puts the hits on the Soprano clan and Tony puts a hit on Phil which results in mistaken identity making everyone think its safe when its not.



3. PINE BARRENS

While Silvio has the flu, Chris and Paulie run his collections for him, which results in the pair getting lost in the woods and nearly freezing to death.



2. COLLEGE

While visiting colleges with Meadow, Tony spots a snitch. Carmela, meanwhile, discovers something about Dr. Melfi.





1. JOIN THE CLUB

The family tries to cope with Tony's hospitalization and possibly impending death, while Tony begins to hallucinate a new life parallel to his own.

Adam Sandler - A Winner at Making Money...But a Loser at Making Good Films

Comic, performing artist and previous Saturday Night Live cast member Adam Sandler turned into one of the biggest film stars ever because of a run of film industry hits running from the mid-'90s through today. Sadly, his vocation is an illustration of the theory of unavoidable losses - his movies have kept on deteriorating.  Notwithstanding their prosperity, Sandler is answerable for a percentage of the most exceedingly awful comedies of the most recent 20 years. Here's the almost worthless.

For a few years straight, every film Adam Sandler has made was his new most exceedingly awful motion picture. The streak continued with 2011's Jack & Jill, still the nadir of Sandler's filmography and one of the most noticeably bad comedies of the decade. Sandler plays a couple of twins in a comedy so moronically "high idea" groups of onlookers thought it was a meta-joke - that Sandler had really made one of the moronic motion pictures he mocked decently in Judd Apatow's Funny People. Nope. We were intended to take Jack & Jill at face esteem. Furthermore for those of us that sat through it, the scars have yet to mend.

Sandler's slow decay into sluggish jadedness is best represented in his 2010 comedy Grown Ups, a recorded get-away for him and his companions paid for by the American motion picture opening up to the world. With a rock n' roller lineup of Sandler's companions (and Happy Madison stars) including Chris Rock, Kevin James, David Spade and Rob Schneider, Grown Ups ought to have been pleasant only for the time used in this organization. Rather, it was apathetic and idiotic at each conceivable turn. The stature of the film’s jokes includes an elderly lady farting. Commonly, it was a huge enough hit to generate a continuation in 2013.

This film is shallow, lifeless, has truly no substance whatsoever, and to finish everything off, at the end it tries to play everything off as though it’s some fabulous satire toward oneself. I'd like to think that Adam Sandler drinks himself to rest consistently in view of this motion picture. It's the main thing that greatly improves the whole viewing experience.

Grown Ups is unwatchable. With the amount of cash this motion picture made.  Along with completely humorless jokes and a brain dead plot you presumably could have made a two hour film that is simply Adam Sandler waving his penis at you and chuckling. In any event that’s what most Adam Sandler movies are equivalent to.